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Bio

Rachael Bath is a naturalistic landscape artist located and grew up in Lehigh Valley Pennsylvania.

Graduated with an Associates of Fine Arts at Lehigh Carbon Community College and a Bachelors of Fine Arts with a minor in Art History at the University of Kutztown. Utilizing oil paint as the medium of choice, Bath conveys the environment found within nature through the use of natural landscapes and seascapes. Forming connections by exploring and depicting the innate beauty that surrounds us in society. Bringing to light the uniqueness and importance of the natural world and landscape, and expanding upon a created connection found between the viewer and the artwork sentimentally and emotionally. Since the start of her degree, Bath has taken part in multiple group exhibitions with members of her class and friends. Her work has been represented in juried shows at the PSULV Gallery, GoggleWorks Cohen Gallery, Kutztown University Miller Gallery, and the LCCC Glass Box Gallery. Annually participates in juried competitions in the Allentown Agri-Plex Arts Show with multiple placings of first through third standing.

Teaching Philosophy

Art is more than a subject to be taught. It is a way of thinking, a way of understanding, and a way of becoming. Before students can master techniques or produce polished work, they must first feel that their ideas, experiences, and identities matter. My role as an art educator is to create a space where students feel safe enough to explore who they are, while also developing the skills they need to communicate those discoveries with confidence and intention.

In my classroom, skill-building and self-expression are not separate goals. They exist together. Students learn techniques, materials, and processes not as isolated exercises, but as tools that expand their ability to think and create. I believe structure is important, especially for younger learners, but it should support exploration rather than limit it. Clear expectations, demonstrations, and routines give students a foundation, while choice and experimentation allow them to take ownership of their work.

Creating a welcoming and inclusive environment is at the center of everything I do. Students cannot take creative risks if they feel judged or unsupported. I work to build a classroom culture rooted in trust, respect, and collaboration, where mistakes are seen as part of the process rather than something to avoid. Every student enters the room with different experiences, abilities, and ways of seeing the world. These differences are not obstacles, but strengths that enrich the learning environment. By honoring each student’s voice, I aim to foster a community where all learners feel seen and valued.

It is important for teachers to model a successful learning process by showing students how to problem-solve, adjust, work through challenges, and help students see that learning is ongoing. This approach encourages them to stay engaged and develop confidence in their ability to figure things out and explore. My goal is to help students develop both the skills and the mindset they need to succeed. Art education should give students the ability to think independently, make informed choices, and express ideas in ways that are meaningful to them.

Management Plan

My classroom management approach focuses on creating a structured but flexible environment where students feel supported, respected, and able to take creative risks. I see management as setting up the conditions for learning rather than simply controlling behavior. In an art classroom, where movement, materials, and choice are constant, I rely on clear communication, consistent routines, and mutual respect.

At the start of the year, I introduce expectations as shared agreements. We talk about how to treat materials, the space, and each other, and I make sure students understand why these expectations matter. I revisit them regularly so they stay meaningful and relevant, not just something posted on the wall.

Routines play a big role in helping the classroom run smoothly. Each class follows a predictable structure with instruction or demonstration, work time, and cleanup or reflection. With younger students, I model and practice these routines often. With older students, I shift more responsibility to them so they can manage their time, materials, and workspace more independently.

I keep communication clear and accessible by giving directions both verbally and visually. Demonstrations, examples, and step sheets help students work at their own pace. During work time, I move around the room to check in, ask questions, and help students problem-solve. I focus on guiding their thinking rather than correcting their work so they can build confidence in their decisions.

The physical setup of the classroom also supports this structure. Materials are organized, labeled, and easy to access, and I introduce tools intentionally so students learn to use them responsibly. I allow for some flexibility in movement and seating, but always with clear expectations for staying focused and respecting others.

When behavior issues come up, I respond with redirection and conversation. I try to understand what is causing the issue and guide students back into the work. If needed, I use logical consequences that connect directly to the behavior, such as limiting access to materials that are being misused. My goal is to help students build responsibility and self-awareness.

Building relationships is an important part of my approach. I take time to learn about my students, recognize their effort, and create opportunities for them to share ideas and work together. When students feel respected and comfortable, they are more likely to stay engaged and take ownership of their learning.

Artist Statement

When painting the natural environment, I feel peace within myself. The context of my
work is the exploration and depiction of the innate beauty that surrounds us within landscapes,
seascapes, and the clouds above. To step back, engage, and think about the world as peers and
the delicacy of the natural environment that is constructed. My use of color and depth evokes
presence and emotion, focusing on the alluring scenery with an essence of subtle dramatics.
The natural world is extravagant, it’s comforting to know that the world is not perfect so there is
no desire to be perfect, it's uniquely beautiful and full of odds. It carries so much artistic charm
to be seen with the human eye and I desire to experience that charm, in the moment, and my
art.

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